
An exceptionally poised young actress with a knack for playing sullen teens, Kristen
Stewart earned her big break as Jodie Foster’s daughter in David Fincher’s hot-wired
thriller, “Panic Room” (2002). Though none of her subsequent films scored as well at
the box office as that picture, Stewart consistently impressed audiences and critics
alike, both with her performances and with her choice of projects – which frequently
strayed far from the kid-oriented material offered to actors in her age group.
Born April 9, 1990 in Los Angeles, CA, Stewart’s family relocated briefly to Colorado
before returning to L.A., where her father worked as a stage manager, producer, and
director on numerous Fox television shows. Her performance in a grade school Christmas
play caught the eye of an agent in the audience, who contacted her parents to gauge
Stewart’s interest in becoming an actress. Both were initially opposed to the idea,
but Stewart’s curiosity won them over, and at the age of eight, she began auditioning
for film and television roles. Her first screen appearance came a year later in the
Disney Channel TV production, “The Thirteenth Year” (1999), in which she played a bit
role. A more substantial part came two years later with Rose Troche’s challenging
independent drama, “The Safety of Objects” (2001), in which she played the boyish
daughter of troubled single mom Patricia Clarkson.
Stewart found herself at the center of a major Hollywood production in 2002 when she
replaced Hayden Panettiere as the juvenile lead in David Fincher’s “Panic Room.”
Despite the presence of such veteran actors as Foster (to whom Stewart bore a
remarkable physical resemblance), Forest Whitaker, and Patrick Bachau, Stewart held her own and delivered an assured performance that led some critics to compare her to the film’s lead during her child actor days. Following “Panic Room,” Stewart signed on to play the daughter of Dennis Quaid and Sharon Stone in another suspenseful project, Mike Figgis’ “Cold Creek Manor” (2003). However, it fared poorly with audiences. Her next role was her first as a leading actress – “Catch That Kid” (2004) was a breezy, teen-friendly caper, with Stewart as a young mountain-climbing aficionado who orchestrates a high-tech bank robbery to pay for an operation for her gravely ill father. A minor hit with younger audiences, it allowed Stewart a chance to show a lighter side of her acting talents than her previous efforts. Stewart’s other film from 2004 was the psychological drama “Undertow,” which despite an acclaimed director, David Gordon Green, Terrence Malick as producer and a cast led by Jamie Bell, Josh Lucas, and Dermot Mulroney, it received almost no theatrical screentime.
Stewart’s next film, “Speak” (2005), which was based on the best-selling novel by
Laurie Halse Anderson, gave her the opportunity to play both the dark and the light
in the same project. She
played Melinda, a high school freshman who stops almost all verbal communication
after being raped by an upperclassman, but retains a vivid and often sardonic running
commentary in her head. Stewart handled the complexities of the character with her
customary skill. Unfortunately, the film did not receive a theatrical release and
instead aired on Showtime and Lifetime, in an edited form.
Stewart then segued into Jon Favreau’s underrated space fantasy “Zathura” (2005),
which, despite requiring her to remain in a state of suspended animation for part of
the film, gave her another showcase for her comic skills, as the perpetually
exasperated older sister of Josh Hutcherson and Jonah Bobo. Even though critics found
much to love about “Zathura,” it too was an underperformer in terms of ticket sales.
In 2006, Stewart starred in the Canadian feature “Fierce People,” a drama by
actor-director Griffin Dunne, about a troubled masseuse (Diane Lane) who arranges
for a better life for her teenage son and herself, but with unfortunate results. The
picture received a limited release in the United States. She followed this with another
starring role in “The Messengers” (2007), a supernatural film from noted Thai genre
filmmakers and brothers Danny and Oxide Pang. Despite the directors’ reputation with
horror audiences, it was critically panned and largely ignored by moviegoers.
After “The Messengers,” Stewart worked on no less than six pictures including “In the
Land of Women” (2007), with Meg Ryan and Adam Brody, and “What Just Happened?” (2008),
a Hollywood drama based on the book by producer Art Linson, starring Robert De Niro,
Bruce Willis, and Sean Penn. Stewart also found time for smaller projects like Mary
Stuart Masterson’s directorial debut “The Cake Eaters” (2007), in which she played a
young woman with a debilitating disease.